Philosophical Freedom and Detachment

Christian Baghai
3 min readOct 14, 2023

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In an era where the weight of existential questions often leaves us pondering in heavy silence, the concept of “lightness of being” beckons as a tantalizing possibility. At its core, the idea suggests a state of existential lightness, where the burdens of obligation, moral responsibility, and even the existential despair stemming from the chaos of the universe are somehow alleviated. And while this might sound utopian, it’s a theme that various philosophers have wrestled with, each adding nuances that make it all the more compelling and complex.

The Heaviness in Nietzsche’s Eternal Recurrence

Friedrich Nietzsche’s concept of eternal recurrence is an interesting starting point. Nietzsche presents us with a heavy, almost suffocating, perspective: everything that happens will recur eternally. This philosophy bestows enormous weight on every action and decision, grounding them in eternal consequence. If we are to eternally relive each moment, then each moment is infinitely significant. But herein lies the paradox: this heaviness, if embraced, leads to a form of joy and creativity that is utterly liberating. Nietzsche argues that acknowledging the eternal recurrence enables one to live a life that is fully affirmed, a life where every action is chosen with conviction. In that affirmative state, one experiences a form of “lightness” that is as intoxicating as it is freeing.

Milan Kundera’s Unbearable Lightness

Drawing inspiration from Nietzsche, Milan Kundera brings his own existential seasoning to the dish. His seminal work, “The Unbearable Lightness of Being,” serves as a narrative examination of the tension between lightness and heaviness. In Kundera’s universe, if eternal recurrence does not exist, our actions lack ultimate consequence, rendering them “light” and, to some extent, meaningless. This gives rise to what he calls “unbearable lightness,” a state where detachment and lack of ultimate responsibility breed a form of existential despair. Kundera’s characters navigate this tension by either embracing the transient beauty of life or committing to something greater, such as love, as a means to infuse their existence with weight.

The Poetic Balance in Paul Valéry

Paul Valéry dives into the subject not through dense philosophical text, but through the poetic imagery of “The Graveyard by the Sea.” He contrasts the fleeting, almost ethereal, lightness of the sea and the wind against the unyielding heaviness of graveyards and tombstones. Valéry leaves us pondering: Which is better? Lightness or heaviness? Are they mutually exclusive, or can they coexist in a harmonious balance? His poetic inquiry resonates because it captures the push and pull we all feel between wanting to be free and unburdened, and desiring something solid and meaningful to anchor our lives.

Camus’s Acceptance and the Revolt

Finally, we come to Albert Camus, whose idea of the absurd defines the tension between our longing for meaning and the universe’s seeming indifference. In Camus’ perspective, the key is not to escape this tension but to accept and embrace it. This acceptance, what he calls “the revolt,” is itself a form of lightness. It frees us from the illusions of grand narratives or deities that would give our lives an artificial sense of purpose. Instead, it empowers us to live passionately and defiantly, to create our own essence in a world devoid of it.

Conclusion: A Personal Take

So, what does all of this mean for us? Philosophically, we have a buffet of approaches to lightness and heaviness, each with its merits and pitfalls. My personal take is that a balance between lightness and heaviness is not just possible but necessary for a fulfilling life. Like Nietzsche, we should aim to live in a manner that we would be willing to repeat, giving our actions weight and significance. Yet, like Kundera’s characters, we should also allow ourselves the freedom to explore, to err, and to enjoy the fleeting moments that bring beauty and levity to our existence. We should heed Valéry’s poetic caution and strive for a balance, recognizing that a life of pure lightness can be as imprisoning as one of sheer heaviness. And in the spirit of Camus, we should accept the inherent absurdity of it all, rebelling against it through our passionate engagement with life.

In this dance between lightness and heaviness, between freedom and responsibility, perhaps we can find our own equilibrium — a state of being that makes life not just bearable but wonderfully rich and meaningful.

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Christian Baghai
Christian Baghai

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